On Tuesday December 9th my latest film will premiere in an exquisite corpse program at Grand Illusion Cinema in Seattle. Tall Trees is based on photos from a family scrapbook recording the search for bandits after a bank robbery that took place in 1914 in Sedro-Wolley, Washington State. My grandfather (second from the left) was a member of a posse sent to capture the bandits who attempted to escape into Canada. Until recently all I knew about the robbery was the text written on nine photos documenting the event.
How to Draw Clouds will be included in Out There starting October 10th in Maastrich. The following is from their website.
"The two-part exhibition Out There with venues in Maastricht (October / November 2014) and Rotterdam (February 2015). Set up in collaboration with the Dutch Photography Museum in Rotterdam, is showing present-day landscape images by contemporary artists who work with various media such as video, photography and ‘net art’. Distributed over two exhibition zones and two cities 50 artworks are put on display that are part of the 500-year-old tradition of landscape art and at the same time stretch and make current the traditional frames of meaning through new techniques and views.
From the 17th-century Hollandse Meesters (Dutch Masters) until the beginning of the 20th century a ‘landscape art work’ has always been a momentous representation of the culture of which the work was part. The landscape painters not only presented their views of nature, they also captured relevant changes within that culture. In his book Filosofie van het landschap (Philosophy of the Landscape) (1970) philosopher Tom Lemaire argues that landscape art has lost its relevance as image carrier of a culture and that the 20th-century representations of the landscape in painting and photography are merely iterations of past moves and no longer incite new insights.
Due to the rise of digital technology and media at the end of the 20th and beginning of the 21st centuries fine art and the ‘landscape genre’ have undergone a radical development. The ways in which 21st-century man observes and interprets the world and gathers information has fundamentally changed.
"The two-part exhibition Out There with venues in Maastricht (October / November 2014) and Rotterdam (February 2015). Set up in collaboration with the Dutch Photography Museum in Rotterdam, is showing present-day landscape images by contemporary artists who work with various media such as video, photography and ‘net art’. Distributed over two exhibition zones and two cities 50 artworks are put on display that are part of the 500-year-old tradition of landscape art and at the same time stretch and make current the traditional frames of meaning through new techniques and views.
From the 17th-century Hollandse Meesters (Dutch Masters) until the beginning of the 20th century a ‘landscape art work’ has always been a momentous representation of the culture of which the work was part. The landscape painters not only presented their views of nature, they also captured relevant changes within that culture. In his book Filosofie van het landschap (Philosophy of the Landscape) (1970) philosopher Tom Lemaire argues that landscape art has lost its relevance as image carrier of a culture and that the 20th-century representations of the landscape in painting and photography are merely iterations of past moves and no longer incite new insights.
Due to the rise of digital technology and media at the end of the 20th and beginning of the 21st centuries fine art and the ‘landscape genre’ have undergone a radical development. The ways in which 21st-century man observes and interprets the world and gathers information has fundamentally changed.